Accounting for Bleed

Francisco Berlanga

May 9th – July 18th, 2026

State of Flux Gallery

This exhibition explores textile iconographies inherited, gifted, found, and bought as constantly slipping impermanent forms that shift and reappear within the artist's life. 

On clothing lines stretching across the gallery Francisco Berlanga’s hand dyed textiles hang, below them the floor is carpeted with a sea of store bought serapes. As the viewer walks over fields of serape their heads are grazed with cochineal dyed cotton depicting icons familiar to the artist, motifs of Mexico that are half formed. Berlanga examines the symbols, icons, and patterns that adorn his memories. These icons include peacock figures on pillows embroidered by his grandmother, withering roses left as offerings on home altars, horizontal lines of colour on serapes used as picnic blankets, and piñatas hung with fabrics from clothing lines. Berlanga takes these icons and reproduces them in cochineal, painted with various mordants that can shift the pigments hue from vibrant reds and pinks, to beyond fuschia, towards plum, and settling in a deep black purple. Exploring the agency of the dye as it becomes an active participant within the textile. Taking the icons painted on and enhancing them, shifting their colour, shape, combining them with other icons as pigments and mordants bleed together creating unexpected combinations. 

Berlanga's textiles hang as reference points to deeply personal iconographies pulled from familial memories and his experiences as a second generation Mexican immigrant. But below them are the store bought serapes, mass produced objects often sighted as the cheap inauthentic reference of Mexico, but Berlanga does not see them as such. They are repetitions of a once-honest form that, at times, still reflect the authenticity of their origins. They are tethering points that the artist once used as the only reference available, finding home in the novelty section of the fabric store. Berlanga questions how the tensions of authenticity might become settled within the bleed of the dye, how the hand embroidered peacock pillows might become intertwined with the infinite horizons found in the machine produced textiles, how the holes in the eyelet cotton might provide sightlines to polyester serapes. 

Francisco Berlanga

Francisco Berlanga is a Vancouver-based textile artist whose practice reflects on his relationship to his Mexican identity as a second-generation immigrant through the lens of Craft.

His work attempts to understand how one can inhabit a culture while being partially absent from it. He engages in discourse with his own identity through the creation of traditional Mexican “manualidades” or crafts. His practice engages with concepts of inaccessibility, attempting to bridge the gaps between personal and cultural identities by forcing connections between them and trying to understand the limitations these identities impose upon each other. Histories of repetition often produce apparitions of motifs that haunt his works.

Berlanga's previous exhibitions include a solo show at Grunt Gallery and group shows at the Surrey Art Gallery, Morris and Helen Belkin Gallery, the AHVA Gallery, This Gallery, and the Audain Gallery. Berlanga obtained his BFA at Simon Fraser University and MFA at the University of British Columbia.