Material Memories

As a third-generation Chinese Canadian and queer artist, my work is rooted in exploring the intersections of identity, memory, and belonging across time and space. Growing up within the Chinese diaspora, I’ve always been aware of the complex layers of history, tradition, and cultural assimilation that shape our lives. Through my practice, I aim to unravel and reimagine these layers, fostering conversations about identity, cultural heritage, and the experience of being both Chinese Canadian and part of the LGBTQ+ community.

My work often centers on reimagining found objects, materials that carry deep personal and cultural significance. Personal sourced photographs, red envelopes, joss paper, Chinese takeout menus, and other everyday items become the raw materials for my sculptures, installations, and mixed-media works. These objects hold emotional resonance, evoking both the warmth of shared memories and the grief of what has been lost.

The act of stitching, assembling, and repurposing these materials is an expression of healing and connection, a way to reweave fragments of my own history and the broader narrative of the Chinese diaspora. It also provides a way to confront the challenges we face, whether it’s the impact of anti-Asian sentiment, the rise of hate during the COVID-19 pandemic, or the complexities of navigating multiple identities.

At the heart of my work is a desire to create space for reflection and dialogue. My art is both personal and collective, an invitation for others to explore their own connections to memory, identity, and community. Through these pieces, I aim to spark empathy, challenge stereotypes, and contribute to the ongoing process of healing and understanding across generations.